## Sopro e Fricção
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Daniel Matos invites Joana Guerra to share the latest universes she has created and carried with her. We open Estúdio 1 for an intimate musical sharing, where our bodies can listen, lying down or sitting on the floor.

Joana Guerra is a cellist, composer and improviser whose restlessness and passion for experimentation have led her to collaborate with countless musicians, as well as dance, performance and theatre projects, weaving a unique universe in constant expansion. She has worked in different contexts, both solo and collectively, having collaborated in dance with Madalena Victorino, Clara Andermatt & João Lucas and in theatre with Companhia João Garcia Miguel and Hotel Europa.

This session is part of the EM CASA programme with Daniel Matos, in artistic residence with the project _A Luminosa Violência da Perfeição_.

Free admission.



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## Sopro e Fricção
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Daniel Matos convida Joana Guerra a partilhar os últimos universos que tem criado e transportado consigo. Abrimos o Estúdio 1 para uma partilha musical íntima, onde possamos estar com o corpo para ouvir, deitado ou sentado no chão.

Joana Guerra é violoncelista, compositora e improvisadora cuja inquietação e paixão pela experimentação a têm levado a colaborações com inúmeros músicos, assim como a projetos de dança, performance e teatro, entretecendo um universo único em constante expansão. Tem trabalhado em contextos diversos, a solo e coletivos, contando com variadas colaborações: na dança com Madalena Victorino, Clara Andermatt & João Lucas; no teatro com a Companhia João Garcia Miguel e Hotel Europa.

Esta sessão faz parte do ciclo de programação do EM CASA com Daniel Matos, em residência artística com o projeto _A Luminosa Violência da Perfeição_.

Entrada livre.




[Sessão de Escuta] Sopro e Fricção ⏤ Joana Guerra

At Home is a program designed for creators working in the field of dance, inviting them into the EVC to develop their work over the course of a season. Having welcomed Miguel Moreira, João dos Santos Martins, Jonas & Lander, Marlene Monteiro Freitas, Teresa Silva, Victor Hugo Pontes, and Sofia Dias & Vítor Roriz, we now invite Daniel Matos, who will be sharing with us a series of initiatives that characterize his unique career.

_Busting down the door, opening the windows, rummaging through drawers, scrubbing linoleum with your hands, licking banisters, falling backwards down the stairs, getting stuck in the lift, singing in the lift while you're stuck, taking hot showers in winter and cold showers in summer, shouting at the draughts and staring endlessly at the river._

_They welcome me HOME this year, and being at home, for me, means being alone - very alone - and accompanied - as accompanied as possible._

_I have always enjoyed being home alone, being able to play different music in each room, walking with the lights off and feeling my way through the corridors at night, finding comfort in the silence like a cosy blanket and, above all, having the space and time to think about what I do or try to do. That is why, throughout this year, I have been dedicating myself to two authorial projects that branch out into different ways of thinking and making possible dances: **A Luminosa Violência da Perfeição**, a large-scale stage creation that seeks to understand how to contemplate an absolute pause in the middle of a hurricane driven by horses and mares, and **PESO PESO PEITO**, an authorial publication in collaboration with artist João Catarino, which starts from the play Pedra, a Mágoa (The Stone, the Sorrow) and explores in book form the family relationships of the performers who were part of the processes of creating and presenting the show, delving into photographic and written landscapes of each person's intimacy, compiled in a physical archive collection._

_But being AT HOME also means welcoming people into your home and making it a space for sharing and socialising, for dinners filled with thoughts and ideas that don't fit inside living rooms. That is why I invite some of the artists I admire to share proposals and practices in this AT HOME, clearing the space, pushing the furniture against the wall and joining hands so that we can all feel butterflies in our stomachs together: from jams to music listening, from conversations around the table to a film session that can be a pyjama party, if we so desire._

_All this while always opening the door to anyone who wants to come in, take a peek, stay and leave. All this so that the occupation is as real as we are, who do not exist, if we want to.
Being a body at home in a house that is the body._

_It's so good to be AT HOME._

Daniel Matos


[Listening Session] Sopro e Fricção ⏤ Joana Guerra

Sopro e Fricção

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