Portugal.

large_Jorge Ramos do Ó

medium_Jorge Ramos do Ó

small_Jorge Ramos do Ó

thumbnail_Jorge Ramos do Ó

Jorge Ramos do Ó

The conference _Meetings for the Future IV_ brings to the centre of the reflexion the transition of careers in the performing arts. 
With an analytical look at the pilot experience developed in the EVC over a period of three months and the current situation in Europe and Portugal, future possibilities concerning the career transition of performing arts professionals are envisaged. 
More than finding answers in the present, the aim is to produce a tangible and clear reading of the current situation that allows us, collectively, to glimpse ways to act in the future. It is, therefore, with our gaze directed towards the future that we intend to propose this reflection and, above all, to stimulate a dialogue committed to the effective implementation of practices in the field of career management and transition - projecting into the future a permanent mechanism that will have the capacity to leverage and facilitate this process. 

###### Target Audience
Performing arts professionals

###### Free access

###### Accessibility
Simultaneous Translation and Portuguese Sign Language (LGP)

Conference ⏤ Meetings for the Future IV

2026

Dancer

Bailarino

Abel Rojo

With the aim of supporting independent artistic creation, this program welcomes creators in the field of dance and other areas of artistic intersection, at national and international level, for a maximum period of two weeks.

Applications are accepted continuously and residencies are scheduled in our calendar on a first-come, first-served basis. Since their beginnings, the EVC have been a space where multiple languages coexist, responding in direct proportion to the needs of the artistic community.

Artist Residencies — 2024

###### Daily practice for professionals

Daily classical and contemporary dance practice designed for professional dancers or those in the process of becoming professional dancers. The diversity of the invited teachers’ proposals aims to mirror our approach to what can constitute a dance practice today. 

###### Classical dance
Mon / Wed / Fri: 10:00 to 11:15 a.m.

###### Contemporary dance
Tue / Thu: 10:00 to 11:15 a.m.

###### Price
3€/class (insurance required)

###### Classical dance classes for adults

Classical dance classes for adults are designed for beginners or for those who have been connected to classical dance and want to continue this practice as a means to their well-being.

###### Classical dance
Mon / Wed: 6:30 to 20:00 p.m.

###### Price
10€/class (insurance required)

Dance Classes at Estúdio 1 — 2025

Territory is a program dedicated to young dancers aged between 14 and 18 from dance schools all over the country. Over the course of its many editions, the program has welcomed more than 90 young dancers from across the country, coming from nearly 40 dance schools.

In this eighth edition, the program features choreographers Marco Goecke and Nadav Zelner. By proposing this names, we reaffirm the need to establish and promote transformative professional experiences for each participating dancer. Marco Goecke, a choreographer associated with the most prestigious dance companies, brings a language of his own which dismantles a certain notion of a conventional vocabulary, determining highly trained bodies in his practice highly. This opens the path for a lexicon that is entirely unexpected, exact, and devoid of decorative elements. In his turn, with choreographer on the rise Nadav Zelner, performers will have the opportunity to experience an intense searching process combining various areas of artistic creation, which process will present a vision of a choreographic gesture undergoing profound changes, reflecting the rapid and dramatic transformations of the world in which we live.

This edition will also feature a film directed by Alexia Fernandes, winner of the Território | Estúdios Victor Córdon award for Best Portuguese Director from InShadow - Lisbon ScreenDance Festival 2024.

After its premiere in Porto, the Territory VIII performance will move on to Lisbon, where it will be performed at the Millenium Festival ao Largo, concluding its cycle at Teatro Aveirense.

Territory VIII

###### Daily practice for professionals

Daily classical and contemporary dance practice designed for professional dancers or those in the process of becoming professional dancers. The diversity of the invited teachers’ proposals aims to mirror our approach to what can constitute a dance practice today. 

###### Classical dance
Mon / Wed / Fri: 10:00 to 11:15 a.m.

###### Contemporary dance
Tue / Thu: 10:00 to 11:15 a.m.

###### Price
3€/class (insurance required)

###### Classical dance classes for adults

Classical dance classes for adults are designed for beginners or for those who have been connected to classical dance and want to continue this practice as a means to their well-being.

No level of experience is required to participate in the Classical Dance Classes for Adults. The difficulty is adapted to each group of participants, with two levels available: Beginner (Mondays) and Continuing (Wednesday).

###### Classical dance
Mon / Wed: 6:30 to 20:00 p.m.

###### Price
10€/class (insurance required)

Dance Classes at Estúdio 1 — 2026

2025

Composer

Compositor

Afonso Nogueira

fotos evc_pages-to-jpg-0001.jpg

In its eighth edition and once again coordinated by Luís Tinoco, who was recently awarded the Pessoa Prize, the Young Composers Program continues to promote a collaborative spirit and to foster interactions among artists in creation processes. This time, it focuses on the artistic areas of composition, writing, and choreography. 

In addition to the featured areas in this year’s edition, the EVC have hosted quite a few artists from other creative areas. Countless collaborations have emerged from this between participants, who have initiated joint projects beyond the context of the program and established their own professional careers.

Another countless number of partnerships and collaborations have been established with higher education institutions and groups of early career professionals, such as Escola Superior de Música de Lisboa, Escola Superior de Dança, Escola Superior de Artes e Design das Caldas da Rainha, Escola Superior de Música e Artes do Espetáculo do Porto, the Concrète [Lab] Ensemble, and Ar.Co — Centro de Arte e Comunicação Visual.

In this edition, we welcome Marcia Bellamy and Stephen Plaice as co-coordinators during Weeks I and II (Composers & Writers) and Victor Hugo Pontes as co-coordinator during Week III (Composers & Choreographers). As usual, after a period of creation and experimentation, a public presentation of results will be held at the EVC, open to all audiences.

Young Composers 2025

website 

Lisbon, Portugal, 1982. 

Lisboa, Portugal, 1982. 

Ágata Xavier

Bailarina

Aiswarya Prathap

2024

website

London, UK, 1974.

Londres, Reino Unido, 1974.

Akram Khan

_Territory_ is a program dedicated to young dancers aged between 14 and 18 from dance schools all over the country. Every year the program welcomes internationally renowned choreographers who share their works and creative processes with the group of young people selected for each edition.  

Over the course of its many editions, _Territory_ has welcomed more than 80 young dancers from across the country, coming from nearly 40 dance schools in over 30 Portuguese cities.

In 2024, and in line with the other programs of this season, we propose a show that hints at possible new paths for contemporary dance. On the one hand, we have invited the renowned British-Bangladeshi choreographer Akram Khan, who, by incorporating elements of classical Indian Kathak dance into his works, contributes to redefining our idea of what dance is. On the other hand, EVC will welcome Jermaine Spivey, an emerging American choreographer who, alongside a brilliant career as a dancer, actively promotes the possibility of collaborative practice in his creative processes.

_Territory VII_ will also feature a film by director João Sanchez, winner of the Território | Estúdios Victor Córdon award for Best Portuguese Director from InShadow - Lisbon ScreenDance Festival 2023. 


Territory VII

One-week program for dance professionals proposing intensive dance training at the "rentrée" right after summer holidays, this year diving into the artistic universe of Akram Khan.

###### Target Audience
Dance professionals

###### Price
220€

###### This program has the support of GDA Foundation

###### Online registration

###### Personal accident insurance is required








KICK OFF '24

Maputo, Mozambique, 1965.

Maputo - Moçambique, 1965

Aldara Bizarro

This program supports independent artistic creation, welcoming Portuguese and international dance artists and creators from other artistic areas, for a maximum period of two weeks. Since its inception, EVC is a space of cohabitation of multiple languages, acting in direct response to the needs of the artistic community.



Artist Residencies — 2022

Alexandra Zeidan

This program supports independent artistic creation, welcoming Portuguese and international dance artists and creators from other artistic areas, for a maximum period of two weeks. Since its inception, EVC is a space of cohabitation of multiple languages, acting in direct response to the needs of the artistic community.


Artist Residencies — 2023

Website

Screenwriter and director

Argumentista e realizadora

Alexia Fernandes

Alexia_Fernandes_Directors_Pic.jpg

Proposed by Plano Nacional das Artes (the National Plan for the Arts, PNA), this year’s edition of the Artist-in-Residence Project is once again co-organized by the EVC. Together, these partners will bring to two public schools in Lisbon two young choreographers, Joana Franco and Maria Abrantes. Over the course of three months, the choreographers will develop projects within the school community, giving students the possibility to experience the creative look from the world of dance. Filmmaker Alexia Fernandes will be accompanying the initiative, creating a film based on the program’s activities.

Artist-in-Residence Project '26 PNA

Monchique, Portugal, 1994.

Monchique - Portugal, 1994

Alice Duarte

Coimbra, Portugal, 1986.

Coimbra, Portugal. 1986

Alice Joana Gonçalves

Lisbon, Portugal, 2006.

Lisboa, Portugal, 2006.

Alkantara Festival

Artist, performer, choreographer

Artista, performer, coreógrafe

Amador Alina Folini

amador_alina-47  Maura Grimaldi.jpg

With the aim of supporting independent artistic creation, this program hosts artists and collectives working in the field of dance or in areas of artistic intersection, both national and international, for a maximum period of two weeks.

Applications are accepted continuously throughout the year, and residencies are scheduled in our calendar on a first-come, first-served basis. Since their beginnings, the EVC have been a space where multiple languages coexist, directly meeting the needs of the artistic community.


Artist Residencies — 2026

Portugal

Amélia Bentes

Vila Nova de Cerveira, Portugal

Amélia Caldas

Maputo, Mozambique, 1987.

Maputo, Moçambique, 1987.

Amélia Socovinho

Amélia Socovinho 

The incentive program for artistic creation _Itineraries_, aimed at Mozambican dance artists, will be held for the 3rd consecutive year. This is a partnership between Estúdios Victor Córdon and Camões - Institute for Cooperation and Language, through the Portuguese Cultural Center in Maputo. 

The project aims to create a network between Mozambique, Portugal and other partners in Europe, developing initiatives that relate the various territories to each other, in order to promote internationalization in artistic creation. 

⎯ 

>_As a facilitator of this program - so important for the materialization (and creation) of a reflection on the need for collaboration between artists and cultural institutions in Portugal and artists from countries once colonized by Portugal - I wish that we could, together, welcome this project with curiosity and a sense of responsibility. For the network to grow and expand, and for these itineraries to have as many meanings as there are individual and collective stories._
>
##### David Marques


Itineraries 2023

Ana Bigotte Vieira

Artist duo

Dupla de artistas

Ana Borralho & João Galante

Ana Borralho & Joãoo Galante

With the aim of supporting independent artistic creation, this program hosts artists and collectives working in the field of dance or in areas of artistic intersection, both national and international, for a maximum period of two weeks.

Applications are accepted continuously throughout the year, and residencies are scheduled in our calendar on a first-come, first-served basis. Since their beginnings, the EVC have been a space where multiple languages coexist, directly meeting the needs of the artistic community.

Artist Residencies — 2025

Dancer, Performer, Visual Artist

Bailarina, Performer, Artista Plástica

Ana Caetano

Foto Ana.jpg

In 2024, the EVC's Foyer became an exhibition space, welcoming proposals on an ongoing basis by visual artists whose work has a connection to the performing arts in general and to dance in particular. After the first edition of a cycle of exhibitions curated by Carlota Lagido, during which we welcomed works by Luís Guerra, João Galante and Elizabete Francisca, we present a new edition with artists Flávio Rodrigues, Miguel Bonneville and Ana Caetano.

#### cérebro, olhos, mãos e papel [“brain, eyes, hands and paper”] — 2nd edition

&nbsp;

_What is this capacity of the body that takes what we observe and puts it on a sheet of paper? I’m talking about the body transmuting itself into a drawing, in an intricate fusion between eyes, hands and paper. It’s like the development of a mental muscle that mysteriously extends down the arm, reaches the hand and travels across the paper. It turns into movement and dynamism. There are people in the world of performing arts who have been drawing even before they started using their bodies as tools. These exhibitions reveal three different ways of using mental muscles, each with its own identity and beauty. Drawing is a physical act that requires time, memory, focus, practice, will, endurance and freedom. It’s like dancing. In this second edition, drawing turns into action with Flávio Rodrigues, into sculpture with Miguel Bonneville, and into movement with Ana Caetano._ ― Carlota Lagido

Exhibitions — 2025

Angola.

Uma Coleção para Amanhã - Eixo Atlântico

Ana Clara Guerra Marques

Ana Dinger

Lisboa, 1993.

Ana Isabel Casquilho

Portugal, 1994.

Ana Isabel Castro

This program promotes the collaborative spirit and enhances collaborations between composers and artists from other areas in the creative process. _Young Composers_ develops in three moments of experimentation and creation that culminate with a presentation of the materials created throughout the process.

In previous editions, artists such as Joana Craveiro, the duo Inês Barahona and Miguel Fragata, or writers such as Gonçalo M. Tavares have collaborated on the program. 

In 2023, _Young Composers_ will be coordinated by composer Luís Tinoco, with the collaboration of choreographer Victor Hugo Pontes, visual artist João Penalva and the Concrete [Lab] Ensemble, and the participation of students from Escola Superior de Música de Lisboa (ESML), Escola Superior de Dança (ESD), Escola Superior de Artes e Design (ESAD.CR) and Escola Superior de Música e Artes do Espetáculo (ESMAE).



Young Composers 2023

Lisbon, Portugal, 1989.

Lisboa, Portugal, 1989.

Ana Moreno

foto Ana Moreno ©Gil.jpg

Setúbal, Portugal, 2000.

Ana P. Silva

Paris, 1972.

Ana Rita Barata

Choreographer and dancer

Coreógrafa e bailarina

Ana Rita Teodoro

Ana Rita Teodoro.jpeg

##### _At Home_ is a space dedicated to dance artists who, throughout the year, are invited to develop their projects at the EVC and make them their creative home. After having been introduced to the work of Miguel Moreira, João dos Santos Martins, Jonas & Lander, Marlene Monteiro Freitas and Victor Hugo Pontes in previous years, in 2024 we welcome Teresa Silva, who will show us her work in all its facets and different formats.

##### Over the course of a year, various projects by her or in collaboration with others will be developed at the EVC.

##### Teresa Silva (Lisbon, 1988) has dedicated herself to research, creation and performing in the fields of contemporary dance and performance since 2008. She sees dance as something that goes beyond the physical body, resulting in a work of attentiveness and sensitivity, as well as a multidisciplinary approach to movement.

##### The artist will bring to the EVC a series of very different proposals, in collaboration with Sara Anjo, David Marques, Kristina Norman, and Mathieu Bouvier, among others.

###### Oráculo expandido [“Expanded oracle”] — towards an investigation into practices of care, attention and connection

Since 2017, Sara Anjo and Teresa Silva have been researching the potential of the body as a place of knowledge and revelation, and have designed workshops and created a piece based on the premise “can the body be an oracle?” There is a great diversity of people who share a curiosity for practices aimed at a holistic awareness of the body, and _Oráculo expandido_ is an invitation to continue this research, opening it up to other people and expanding the research to other languages, practices and perspectives. 

» 23 Nov, 4pm - 7pm, EVC

###### Fazer falar o fazer [“Making the making speak”] — devices for creating speech about artistic practices

This project, conceived and developed by David Marques and Teresa Silva, arises from the desire to make the work of their generation more visible and to bring the community together around the issues that move and engage them in their artistic practices. In this sense, the artists will develop different devices that encourage thinking, speaking and listening, and which provide encounters between artists and between the artists and the audience. In this _Making the making speak_'s edition, Teresa and David invite Ana Rita Teodoro, Andresa Soares and Francisco Rolo to an openly exchange.

» 30 Nov, 2:30pm - 8pm, EVC

###### Carnation

After collaborating on _Orchidelirium — An appetite for Abundance_, a project presented at the 2022 Venice Biennale, Estonian visual artist Kristina Norman has partnered with Teresa Silva to conceive a new piece. This time, the artists use the red carnation as a symbol of power and freedom, seeking to bring into dialogue the culture and history of their respective countries.

###### Ah! — Experimentation sessions for a transformative artistic practice

In this project driven by Teresa Silva, the artist aims to show how artistic practice generates states of attention, self-knowledge and transformation that intensify human potentialities. In these individual sessions, each person will be invited to listen to what affects them in the present moment and therefrom work together on a sensitive and experimental path, through exercises, tasks and actions. To prepare the sessions, Teresa Silva draws on her research with Sara Anjo around the question "can the body be an oracle?" and finds inspiration in the work of artists such as Anna Halprin, Lygia Clark (Relational Objects), Alejandro Jodorowsky (Psychomagic) and Valentina Desideri (Fake Art Therapy), who have made and continue to make their artistic practice a place of affection, ritual and healing.

In these sessions, which will be individual, each person will be invited to listen to what affects them in the present moment and, from there, work together on a sensitive and experimental path, through exercises, tasks and actions.

» 10 - 20 Dez, 45 minutes individual sessions, 11am - 7pm, EVC

» Registration | By completing this form: [https://forms.gle/UPdi27jWqwR45hZD6](link)


At Home ⏤ Teresa Silva

Now in its second edition, Season Partners establishes partnerships with independent artistic production structures, for one or more seasons, to carry out projects of common interest.

The program, which has so far developed projects in collaboration with Associação Parasita, Ordem do O and the online portal Coffeepaste, expands the space dedicated to the artistic practices and research of the artistic community, fostering the sharing of responsibility in action and encouraging cooperation. In this edition, we are continuing the previously established partnerships and starting a new collaboration with Associação VAI, which brings us the OU.kupa project.

### Associação VAI
#### OU.kupa project
##### Curated by Piny
##### ⏤ OU.kupa Residencies
These residencies aim to open up space and time for artistic research in the studio, with mentoring, for areas of dance that have not been given much attention and space in institutional venues in Portugal, but which are part of the the cultural fabric, often made invisible. 
##### ⏤ With the project _OU.kupando - what fits in contemporary dance(s)?_, the aim is to broaden the spectrum of techniques that are shared in the contemporary dance practice for professionals offered by the EVC, making it possible to inscribe new dance histories - narratives that fill in the absences.

### Parasita
#### _Wording Dances_ - ongoing series
##### Curated by Carlos Manuel Oliveira
##### A series of lectures presented in podcast format, in which distinguished artists from around the world talk about issues that make contemporary dance and its various manifestations an endless ground for questioning and creation.
#### _Thinking about Audio Description for Contemporary Dance_
##### Curated by Ana Rita Teodoro
##### The EVC will host this collective training and research experience, curated by artist Ana Rita Teodoro, during the classical and contemporary dance observation sessions.

### Ordem do O
#### _Ecosystem.dances.bodies_
##### 2nd edition
##### Curated by Cláudia Galhós and mediated by Natacha Campos
##### _Ecosystem.dances.bodies_ is a project in movement, transformation and renewal, consisting of conversations, masterclasses, lectures and workshops. It proposes alternative ways of sharing in a stimulating context, where artists and public meet.

### Coffeepaste
#### Workshops and training
##### 2nd edition
##### In the context of a partnership with Coffeepaste, the portal for the dissemination of the performing arts will propose another cycle of events dedicated to dance studies, including workshops and the sharing of artistic practices in this field.

Season Partners 2024

Dancer, Teacher, Choreographer

Bailarina, Professora, Coreógrafa

Ana Sendas

Ana Sendas.PNG

Anadélia Giscafré

Anadélia Giscafre

Dancer, actor and dance teacher

Bailarino, ator e professor de dança

André Cabral

(c) Francisco Narciso.jpeg

**Contemporary dance(s) - diaspora and Afro-descendants in the Portuguese artistic context**

On this day dedicated to dialogue at EVC, we will hear from African and African descent whom we have invited to share with us their experiences and reflections on their artistic, research and pedagogical practices, as well as on the presence of black people and narratives from the African diaspora in the context of contemporary dance in Portugal. Here, 'contemporary dance' is understood as a concept that encompasses dances of contemporaneity, such as street dances, clubbing and social dances, whose presence in cultural institutions and academic contexts is a subject for debate.

Thus, we intend to raise questions around the documentation, transmission, dissemination and support of these contemporary dances, and to do so with the people who practice them - and through their narratives - in spaces of visibility. 

What dances from the African diaspora remain in Portugal, and how are they being transformed? What relationships are possible between street dances, social dances and academic dances in an institutional system of artistic education and production? 

What role can dance play in a broader reflection on Portugal's relationship with the countries it colonized?

###### Guests and program [HERE](https://estudiosvictorcordon.pt/en/events/contemporary-dance-s-diaspora-and-afro-descendants-in-the-portuguese-artistic-context-1)

###### Public in general, but specially directed to arts professionals

###### Free access

###### Portuguese sign language translation

Conference Meetings for the Future V

_In Transit_ establishes connections with numerous festivals that have a preponderant and essential role for the future of dance in Portugal. Through this program, EVC supports artistic practices in a continuous collaboration with partner festivals and contributes to their consolidation as spaces for artistic creation, mediation, promotion and internationalization. 

The program also invites structures that promote dance initiatives to develop some of their activities in collaboration with EVC. 


In Transit — 2023

Performer, Lighting designer, Set Designer

Performer, Desenhador de Luz, Cenógrafo

André de Campos

André de Campos 

Portugal, 1977.

André e. Teodósio

André e. Teodósio

Ourém, Portugal, 1999.

André Faria

André Faria ⏤ Jovens Compositores 2023

1965.

André Lepecki

Dancer and choreographer

Bailarino e coreógrafo

Andrei Nistor

Headshot.jpg

Viana do Castelo, 1996

Andreia Alpuim

Caracas, Venezuela.1979

Andreina Vila

Lisbon, 1978

Lisboa, 1978

Andresa Soares

Luanda, Angola.

Aneth Silva

Uma Coleção para Amanhã — Eixo Atlântico

Lisbon, Portugal, 1965.

Lisboa, Portugal, 1965.

Angela Guerreiro

Ângela Guerreiro

Portugal, 1952.

António Caldeira Pires

António Caldeira Pires

Musician 

Músico

António Narciso

António Narciso.jpg

Now in its ninth edition and, as usual, with the coordination of Luís Tinoco, the Young Composers Program continues to promote a collaborative spirit and to foster interactions among artists in creation processes. Composition, writing, and choreography will be the three artistic areas in focus.

Throughout its various editions, this program has welcomed countless artists to the EVC from the three areas featured in this year’s edition, as well as from several other creation fields, and many collaborations have emerged among these participants, who, beyond of the scope of the program, have initiated joint projects and consolidated their individual professional careers. Numerous partnerships and collaborations have also been established with higher education institutions and groups of early career professionals, among them Escola Superior de Música de Lisboa, Escola Superior de Dança, Escola Superior de Artes e Design das Caldas da Rainha, Escola Superior de Música e Artes do Espetáculo do Porto, the Concrète [Lab] Ensemble, and Ar.Co — Centro de Arte e Comunicação Visual.

In this edition, we welcome back Marcia Bellamy and Stephen Plaice as our program co-coordinators during Weeks I & II (Composers & Writers), and Victor Hugo Pontes as our program co-coordinator during Week III (Composers & Choreographers). As usual, the periods of creation and experimentation will be followed by two public presentations of results at the EVC, open to all audiences.

Young Composers 2026

Cape Verde.

Cabo Verde.

António Tavares

Esposende, Portugal, 1987.

António Torres

Antonio Torres 

Lisbon, 2019.

Lisboa, 2019.

Apneia Colectiva

AROUNDtheTREE

Around the Tree

The 2nd edition of _A Collection for Tomorrow_, curated by Cristina Peres and directed by João Afonso Vaz, dedicates 10 conversations to the dance scene in Mozambique.
A program in partnership with Camões - Portuguese Cultural Center in Maputo, with the institutional support of Camões, I.P. and decor support by Around the Tree.


>The imposition of social distance brought us other possibilities to generate improbable encounters. It revealed ideas and questions we hadn't asked yet - about the resonance of experiences beyond the time when they took place - and suggested that we talk.
>
>So, we perfused the months of 2021 with _A Collection for Tomorrow_ - ten conversations with ten people invited to reflect on creation, world, art, and politics and to follow this unique movement taking place over the last thirty or forty years and bringing us here. 
>
>Along the way, we have influenced each other. In 2022, and because dance travels, goes back and forth, and makes comparisons, we want to transform the imaginary bridge standing between Lisbon and Maputo, as well as going through the inverse route, by publishing the second collection of conversations. When do we discover things which are better than ourselves, at the same time that we discover in ourselves traces of what we imagined to be others'?
>
>Lisbon and Maputo are cities connected by the marks of those who have woven invisible threads associating the body's memory to all the other memories we will bring together, now in a systematized way, resulting in a new collection of conversations.
>
>Cristina Peres, 2022   


###### Part  I
Quito Tembe
_[I am a mirror of the issue of professionalization of art in Maputo](https://youtu.be/zbotY1zKE8Q)_


###### Part  II
Maria Helena Pinto
_[Dance has become a political path](https://youtu.be/VTJb-0sEjz0)_


###### Part  III
Panaibra Canda
_[This Mozambique is full of diversity](https://youtu.be/ity6XkBApzU)_


###### Part  IV
Edna Jaime
_[Artivism - my work impacts the world](https://youtu.be/5tgS7SvNP40)_


###### Part  V
Pak Ndjamena
_[Persist, insist, go back, and...it happens!](https://youtu.be/WGh2FDx40I0)_


###### Part  VI
Ídio Chichava
_[Emancipate Mozambique](https://youtu.be/LBWqP24clvY)_


###### Part  VII
Horácio Macuácua
_[I didn't choose dance. Dance chose me.](https://youtu.be/hoe7NGAJWfs)_


###### Part VIII
Mariana Tembe
_[To keep a dialogue with the world](https://youtu.be/1yrZ76TDYoo)_


###### Part IX
Edivaldo Ernesto
_[My whole life influences what I do on stage](https://youtu.be/jfMu_LFSSFg)_


###### PART X
Yuck Miranda
_[What drives me in art is indignation](https://youtu.be/arlTEH7gWwg)_

###### More information
You can see the whole collection [here](https://www.youtube.com/playlist?list=PLAO_nJtqGJzGzfNRxgzkwgeuMzDvE8nQU).
