António Torres has a degree in dance from Escola Superior de Dança (2014) and in Performing Arts from ESTAL (2009); he also did the ERASMUS program in Austria (2014). He has worked with Victor Hugo Pontes, Miguel Castro Caldas, Amélia Bentes, Maurícia Neves, Rui Horta, Filipa Francisco, Jacopo Miliani, Lígia Soares, João Fiadeiro, Filipa Francisco and Madalena Victorino. He collaborated with Ana Jezabel in the plays Outro em mim que eu ignoro (2015) and _A importância de ser desnecessário _(2017), with Bárbara Carlos and Maurícia | Neves in We are not so pretentious, with Lígia Soares in Cuore and with Sérgio D. Matias in Geminis. He created the piece Swan Fake (2018). Other highlights include Anjos no cabelo do diabo, directed by Miguel Borges, and Túmulo de cães, by Dinarte Branco.
Throughout his career he has taken workshops with Alain Platel, Hoffesh Shechter, Jonathan Burrows, Doris Uhlich, Tânia Carvalho, Esther Balfe, Madalena Victorino, João Fiadeiro, Catarina Câmara, Peter M. Dietz, Tamara Cubas, Vera Mantero, Marlene M. Freitas, among others.
